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The King and the Prince advanced, bowing low, and said, "Sire, we have come from afar, to show you a portrait." They drew forth Rosette's portrait and showed it to him. After gazing at it a while, the King of the Peacocks said, "I can scarcely believe that there is so beautiful a maiden in the whole world." "She is a thousand times more beautiful," said the King. "You are jesting," replied the King of the Peacocks. "Sire," rejoined the Prince, "here is my brother, who is a King, like yourself; he is called King, and my name is Prince; our sister, of whom this is the portrait, is the Princess Rosette. We have come to ask if you will marry her; she is good and beautiful, and we will give her, as dower, a bushel of golden crowns." "It is well," said the King. "I will gladly marry her; she shall want for nothing, and I shall love her greatly; but I require that she shall be as beautiful as her portrait, and if she is in the smallest degree less so, I shall make you pay for it with your lives." "We consent willingly," said both Rosette's brothers. "You consent?" added the King. "You will go to prison then, and remain there until the Princess arrives." The Princes made no difficulty about this, for they knew well that Rosette was more beautiful than her portrait. They were well looked after while in prison, and were well served with all they required, and the King often went to see them. He kept Rosette's portrait in his room, and could scarcely rest day or night for looking at it. As the King and his brother could not go to her themselves, they wrote to Rosette, telling her to pack up as quickly as possible, and to start without delay, as the King of the Peacocks was awaiting her. They did not tell her that they were prisoners, for fear of causing her uneasiness.,

—“for we are surely going to drown,” continued Tellef.,

Julia attended to the narrative of her mother in silent astonishment, and gave all the sympathy which sorrow could demand. 'Surely,' cried she, 'the providence on whom you have so firmly relied, and whose inflictions you have supported with a fortitude so noble, has conducted me through a labyrinth of misfortunes to this spot, for the purpose of delivering you! Oh! let us hasten to fly this horrid abode—let us seek to escape through the cavern by which I entered.',

Julia, resigning herself to despair, indulged in solitude the excess of her grief. A calamity, so dreadful as the present, had never before presented itself to her imagination. The union proposed would have been hateful to her, even if she had no prior attachment; what then must have been her distress, when she had given her heart to him who deserved all her admiration, and returned all her affection.

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The effect which the latter part of this sentence had upon the prisoners in the vault, may be more easily imagined than described. They were now in total darkness in this mansion of the murdered, without means of escape, and in momentary expectation of sharing a fate similar to that of the wretched objects around them. Julia, overcome with distress and terror, sunk on the ground; and Hippolitus, descending from the grate, became insensible of his own danger in his apprehension for her.,

Hopkinton, Mass., 1912,

“What is it called?”,

"Some years since" said Thackeray in a public speech, "when I was younger, and used to frequent jolly assemblies, I wrote a Bacchanalian song to be chanted after dinner;" and a contemporary record has preserved a note of "the radiant gratification of his face whilst Horace Mayhew sang The Mahogany Tree, perhaps the finest and most soul-stirring of Thackeray's social songs."